Fred Johnson

Nereus
Vitam impendere vero
–Juvenal

Nereus sold lies.
He opened a stall without a licence
And made a small fortune.

He had lies for every occasion
For both marriage and political office
Lies were essential. For divorces, too.

Nereus would adjust a lie
To suit the purpose, a special skill –
Libels were extra.

He would provide a lie
To cover up a lie –
The outcome of a lie was not his concern.

He sold a product
And what was done with it was up to
The purchaser.

But he never had a single
Complaint. He knew how to keep
His curiosity in check.

Consider Nereus
And his trade. All done from a stall
For which he never had a licence.

 

Robert Stein

Robert Schumann, Resident for a Year at Endenich
Asylum, is Under the Supervision of Dr. Franz Richarz

Last Tuesday they rolled both pianos down the hill.
In the pile at the bottom, near the farm,
Are sheet music, newspapers, four notebooks,
The upended instruments and an audience of bleating sheep.

Last Wednesday – I think – they tied my hands together until dinner.
The silver spoon with Clara’s name is held for safe keeping.
They took me for a swim even though I don’t swim.
Tomorrow is the blindfold and the bell.

I cannot hurt myself if there are no sounds to chafe against.
They’ve blanketed off the cell-bars and told me Clara is dead.
My dinner is not served and the hunger evidence of madness.
Hour by hour, a little piece of everything.

When they hose me down I ensure I keep my suit on.
I stand tall as if conducting, so the water-jet
Arcs slowly back off my heart under my waistcoat
And asperges them, marvelling.

I bless them all even as they gag my Latin,
Looking each one right between the eyes,
Chanting the name of each and smiling
Which they know means I am recalling something beautiful.

Only the most junior Krankenschwester –
Her face as pale as Dupont’s manuscript paper – is sympathetic.
She has agreed to let me have a small metal spoon.
I just need the earth to beat against.

Robert Stein’s first collection The Very End of Air appeared in 2011. As well as appearing in Acumen, his poems have been published in Poetry Review,
Poetry London, Agenda, The Rialto, Ambit and elsewhere. ‘Margo Szonyi in her Last Year’ was shortlisted for the Bridport Prize 2021.

Myra Schneider

An Elephant

has taken up residence on my doormat,
no ordinary elephant. When the hall dims
how his body, patterned in gold, shines.
I whisper to myself he’s a moonchild.

A flower stems from his uncurling trunk,
another blooms from the leaflike lobe
of his ear. His eyes are a series of rings,
on his ceremonial coat: semi-circles,

suns and stars sing, bracelets decorate
his legs. He brings festival to my house.
Elephant, you who remember everything,
hold birth parties, swaddle your newborn

with motherlove, take care of the sick
in your tribe, rage when you’re upset, mourn
your dead with funerals, cover their bodies
with grass, weep silently, I welcome you.

In the pit of night when chill and anxiety rove
you wrap me in warmth, lull me with a sense
of security even though we both know
no one, nothing is safe in this life.

Myra Schneider is the author of four poetry collections by Littlewood Press and five collections by Enitharmon Press. She has co-edited four anthologies of poetry by contemporary women poets. She is an experienced writing tutor and works as a core tutor for The Poetry School. She taught literacy and communication to severely disabled adults for many years.