Young Poets
Published here are some of the excellent poems we receive from our gifted young writers.
You can submit poems either by post (please enclose a stamped address envelope for reply), via our on-line portal, or by email to acumeneditor@gmail.com. Please mark the contents ‘Young Poet Submission’, put this in the subject line if you are submitting by email, and put your name, age and address on each page of the submitted document below your poems. We would prefer a word file for the submission please.
Please submit no more than four poems. You should be aged between 16 and 25 years, the work should be unpublished.
Sreeja Naskar
the country breaks, but only in one direction
my mother says never leave your chopsticks standing in rice,
says it looks too much like incense for the dead.
(i press my hands together & pray anyway—
not for the dead, but for the dying,
for the ones who never learned the difference.)
in a city i’ve never touched, a woman
bites her tongue clean off—another language
lost to the teeth. the headlines say disputed land,
say both sides have suffered,
i am made of countries that no longer exist.
lines that shift like salt in water.
(watch how a map crumbles when you hold it too tight.)
a house becomes rubble. (they call it collateral.)
a name sinks to the ocean floor. (they call it necessary.)
(tell me—what do you call a history that doesn’t want you?)
the news says the land is disputed,
says both sides have suffered,
but the bullets are not balanced, the bodies are not even.
a man walks into a grocery store and does not walk out.
a child grows up with a flag for a shadow.
& the news calls it unrest, unfortunate,
that it is complicated while the ground splits open beneath us.
my mother says to pray with both hands.
but who do you pray to when god has a passport?
(tell me—where is the country in my blood? where does the exile end?)
i sharpen my name between my teeth,
write it in the margins,
& wait for the war to find me.
Maya Elphick
Notes on a Harvest
I.
I am not the child you wanted.
I am the seed and the apple too.
the call and the response.
your baby
by any other name.
your daughter, a thorn in your side.
you do not love me the way you were meant to;
as bone loves muscle.
unconditional and saturated.
stewed and resin-sticky.
I am not the harvest of your waning body
but a phantom limb
still itching.
II.
do you remember the deer on the A418?
your mother was dying
so we made the drive to the coast.
she was waiting there,
unfurling at the tide line,
her hands coming into their final position –
open, a greeting,
waiting to receive fruit.
you were distracted and unkind;
your cheeks dilated with March roses.
we watched the doe,
a stalking flame,
bright and then
snuffed out in your headlights.
you pulled over as she flickered by the verge,
holding against the wind.
you couldn’t drive on,
couldn’t watch an animal suffer –
for something to be right
it must always be done by your hands.
you taught me this long ago.
and now
you will not break bread with me.
you say I look more like my mother each day.
am I only perfect in the throes of your memory?
where I am boyish, enshrined and ruddy,
dulcet in the sea air and sifting through shingle,
in search of hag stones and wishing rocks
to knead and palm until warm.
III.
you grew up at the port of pilgrimage.
you learnt to drive at fourteen, thirty miles from Mecca.
you spat the pits of dates into your father’s French tumblers,
then took your mother swimming in the red sea.
the sun has always looked good on you,
like Indian cotton, and wingtip brogues.
but now you have nowhere to return to,
no stove, no mantle, no charge to feed or water,
no holy step to sling your hook.
whose halls will you haunt when I’m gone?
and I see you now
still –
the ironed creases of your trousers dulled by blood,
unpicking knots of flora, fur and shrub from your fingers.
you leave her, still hot, behind a hawthorn,
neck flung back to a stargaze.
you return to the car,
and wipe your hands of it all
again.
The Fledging
That summer things were different.
The heat came early and you spent nights
thin
and
bird-like
sheltered by the cool crag of my body,
sheetless and whitely shocking
against the June hue of my arms.
We were sisters then:
we had never worked a callus to an even grain,
still found homesickness in the
lavender scented sachets of our sock drawers.
It was all knees and elbows
and hard edges beaten smooth by Suffolk winds.
We grappled and pushed but only when the landing was soft,
when a clover dusted lawn held us in repose.
We never let ourselves become strong enough
to hurt.
But you dragged your feet into winter,
lost your fledgling down for the thick pins
of early feather.
Life began to treat us a little better
when we loved each other less.
The faint impression of grass on the back of my thighs faded.
Now our jutting bodies no longer call for each other,
our wings twitch at the sight of an open door.
The last time we spent a night
laughing all the way to our molars,
you left three red hairs in the twists of my pillowcase.
I pressed them to a braid
and took it to the hollow of a felled tree,
freshly weeping idle sap.
I prayed in my own way:
for your parents to live until they are old,
for you to love until you are able,
and for the sparrows to take this auburn thread
as an offering for their nests,
to tie and untie as needed,
as promised.
More Young Poets
Lola Dekhuijzen
play me like a piano squiggly hooked linescrawl across the yellowed,crumpled sheets like hesitantfingers on out-of-tune keys,forming and deforming wordsof a language neither of usspeaks there is a little hiding spotbetween the G and the G sharp,the singular subspace...
Jingxuan William Zhuang
On Faith A sudden want of it this morning,preceding coffee, shouldersto stretch my right arm over.It disturbs me.Artificial coloring disturbs me. Rattle of heating pipesstraining to keep me content disturbs me. Baby talkdisturbs me. Pharmaceutical advertising ending...
Delilah Dennett
Memoria Pappy bundles me into Coat scarf hat gloves winter boots Mummy doesn’t like me wearing those Pappy’s good lady friend got me them All white and brown, I’m a plump Christmas pudding Ready for eating A steaming dumpling An egg on legs! Come on come on Pappy says...
Aman Alam
:this is not a poem it’s a warning label — there is no title because titles are for books that finish — the ceiling coughs again // someone’s frying onions downstairs / or burning memory — hard to tell these days (i asked my mother when she stopped praying: she said...
Sylvie Jane Lewis
I Meet Your Friends at the Gallery Opening and one asks how we met and the answer is Hinge, but I’m not sure you want me saying so. Instead we have a back-and-forth of ums and wells and he drops the question. We circle round displays of plastic fruit, films of the sea...
Scarlett Smith
Silence Cocaine-tipped tragedy carved with gold- plated powder, sniffing dandruff like the sun cracks for her. Addicted to the lies. Eaten by mice and Trojan skies. Bereft of belief. Delightful yellowing teeth. Fire-torn creature. The child with bruised eyes....
George Tidmore
Pre-American Elegy I dug graves in the first century before America. Most mornings I carried the shovel to the verge of tears. I summoned my friends and the rain cloud, gushing ...
Natasha Morris
Manicure One week after my rape I decide to get my nails done for the first time. Him and I divided by cloudy Perspex, a small hole in the bottom for our hands to slip through. We talk in hands, pointing to ballerina shape, shade 317, a blushing pink from a wheel of...
Jayant Kashyap
Some bioluminescence “ale-brown algae / that exclusively blushed / luminescent blue” — Isabel Galleymore, 'Luminescent' here, blue may also mean toxic, and means a defence mechanism for when a predator nears—as if the many whips attached weren’t enough already—the...
Cassie Whyte
Pynchon Paranoia & Prose (Comp) As I watch the rainbow disappear through four collapsing windows The apartments fold algorithmically Apocalyptic origami Looking straight up at the sky Like a period on paper A doll gazing from her bedroom A die spinning on its nose...
Emma Ingledew
Moving On The last plate broke today. It was nothing special. Cheap, temporary junk that fills a flat, a home, a life. I’ve always had a fear of losing things before their time. I kept every card she wrote even as her handwriting deteriorated and she could no longer...
Sophie Johnsen
love poem you want a love poem? (“yeah,” you say, confidently).okay, I’ll give you a love poem.I love –(wind crackles in the trees, the light bulbs flicker,paint continues its residence under my fingernails.time stops, but only for a second.)– well actually, the point...
Arthur Lawson
depth charge and surfacing home has become like a submarine and I know you’re waiting for an answer, but I can’t stop obsessing over how these four walls might be the only thing between me and fifty fathoms of crushing - you’ll tell me to breathe, help me remember...
Heather Chapman
Dog Days Your lips make a clicking sound as you pull them across your teeth. You tune your flesh towards visitation: your joints labour over their arrangement; a plane of light swells shoulders, surface for eating. Strung out across several summers, we suffer for our...
Millie Woodrow
Burial We buried his guns in the garden a year after he’d been burnt in his best jumper. Rifles and a double-eyed shotgun, sawn barrel, heavy cartridge, no licence. A stock that lay cold against the heat of his cheek, felt the misting of his breath. A trigger that...

